Wesley,
age 52, meets with other members of his mas camp in a basement
in Brooklyn all winter long, to plan and create the costumes
for the next year's carnival.
I've
been around the carnival practically since I was born. My father
was a band leader in St Vincent & The Grenadines, so I've
been around it at home since I was a small child.
I grew
up looking at pictures of the carnival, of the people, of the
design, so I got an interest in it. And then, as I got older,
I got involved with helping to make them and helping to decorate,
and it turned out I had a little bit of natural ability for
drawing, and one of my father's artists kind of pushed me into
helping him start sketching. By practicing and doing it over
and over and over, I got better at it. I still don't consider
myself an artist but I'm pretty good at designing and
coming up with ideas of what the costumes should look like.
I'm sketching
and thinking all the time: at home, at work, sometimes things
come to me, and I put it down. That's how I work, I put things
down on small pieces of paper, and I work with them until I
get a finished product I like. Once I have something I like,
I draw it a little bigger. We usually decide in the group what
the colors will be, and then we send the sketch off to the artist
to do the finished design.
My daughter
is part of this group, she's our secretary, she's the camp manager.
She's been involved with it since she was a little girl, when
she was like five years old. And even before that, I used to
take her to the camp, where we worked like this, and she learned
and stuck with it.
Since I've
been in it for most of my life, I have an idea of what can be
done and what cannot be done, so when I design, I have an idea
of how it is going to be done, before I even complete the design.
A particular shape might come to mind, and then when I put it
down, I say, OK this is going to be difficult to do, so I might
change it to make it easier to do. But generally, I have an
idea how it's going to be done.
The best
part of it is creating something and having it more or less
come to life at carnival time. Seeing the finished product is
a rush! |
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